Upcoming events

Grant Wood Country Forum: "'Wild and Tame Flowers': Context, Symbolism and Musings on Possible Meanings in Grant Wood’s Flower Lithographs" promotional image

Grant Wood Country Forum: "'Wild and Tame Flowers': Context, Symbolism and Musings on Possible Meanings in Grant Wood’s Flower Lithographs"

Tuesday, February 24, 2026 7:00pm to 9:00pm
Virtual

"Wild and Tame Flowers: Context, Symbolism and Musings on Possible Meanings in Grant Wood’s Flower Lithographs," by Thomas Harvran

Havran will explore the paired prints, Wild Flowers and Tame Flowers, during this talk and share an original poem inspired by the works.

Thomas Havran, occasional artist and writer, but perpetually obsessed plant nerd, cultivates a simple life within Grant Wood’s “Young Corn” landscape near Amana, Iowa.

Grant Wood Country Forum: "The Book’s the Thing: Grant Wood’s Book Covers" and "Where the Artist Stood: Grant Wood and Regionalist Places Then and Now, 2026 Updates" promotional image

Grant Wood Country Forum: "The Book’s the Thing: Grant Wood’s Book Covers" and "Where the Artist Stood: Grant Wood and Regionalist Places Then and Now, 2026 Updates"

Tuesday, March 3, 2026 7:00pm to 9:00pm
Virtual

"The Book’s the Thing: Grant Wood’s Book Covers," by Paul C. Juhl

Paul C. Juhl is a graduate of the University of Iowa, Iowa City, with majors in history and education; holds a master’s Degree in College Student Personnel Work from the University of Northern Iowa and has completed additional graduate work at the University of Northern Colorado, Greeley. He is a retired educator (teacher, counselor and administrator) in public and private schools in Iowa and Switzerland and earned Iowa High School...

Grant Wood Country Forum: "Grant Wood and the Paradox of 'Art for Everybody'”  promotional image

Grant Wood Country Forum: "Grant Wood and the Paradox of 'Art for Everybody'”

Tuesday, March 10, 2026 7:00pm to 9:00pm
Virtual

"Grant Wood and the Paradox of Art for Everybody,” by Joe Coffey

Joe Coffey is a Chicago-based writer who examines Grant Wood’s legacy through a dual lens of journalistic storytelling and critical cultural analysis. With a background in television news and a Master’s in Journalism & Mass Communication from the University of Iowa, his work is informed by both a reporter’s eye for narrative and a scholar’s engagement with cultural context. His connection to the material is also personal: for nearly...