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- 2022
- Zac Bleicher, "Edgar Miller’s Handmade Homes and Studios of Interwar Chicago"
"Edgar Miller’s Handmade Homes and Studios of Interwar Chicago"
"Edgar Miller’s Handmade Homes and Studios of Interwar Chicago"
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Symposia Abstracts and Speaker Bios
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2016
- Erika Doss, "Screwball Regionalism: Grant Wood and Humor During the Great Depression"
- Kerry Dean Carso, "Grant Wood and the After-Life of Victorian Architecture"
- James Swensen, "On Common Ground: Grant Wood and the photography of the Farm Security Administration"
- Annelise K. Madsen, "'Something of color and imagination': Grant Wood, Storytelling, and the Past’s Appeal in Depression-Era America"
- Jason Weems, "Grant Wood's Regionalist Camouflage"
- Sue Taylor, "In Springtime: Myth and Memory in Grant Wood's Last Paintings"
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2018
- Betni Kalk, "Artist-Community Collaborative Murals"
- Carrie Ida, "On the Line and Community Engagement"
- Jane Gilmor, "Within and Without: A Socially Engaged Art Practice Investigates the Invisible Worker, Poverty and Community Building"
- Fereshteh Toosi, "Learning in Public: Socially-Engaged Art and Experimental Education"
- David Bright, "Permission, Ownership, Copyright, and Preservation, and Sale of Public Art"
- Lynn Verschoor and Scott Wallace, "Public Art, Private Funds"
- Mandy Vink, "How Saying No to YES became the Catalyst for Boulder's Public Art Program"
- Jen Krava, "Codified Bodies: Tools to Measure Social Liberation and Inculcate Cultural Change"
- Traci Molloy, "Against My Will: A Multigenerational Collaboration with Sexual Assault Survivors from Alfred University"
- Michael LeClere, "Art as an Avenue to Promote Industry, Manufacturing, and Placemaking Amidst the Decline of America's Bread Basket, Rust Belt, and & Rural Communities"
- Desmond Lewis, "Grit and Grind: Memphis Bred Me"
- Dan Perry and Tom Stancliffe, "Public Art Incubator: Fabricating Community Engagement Through Public Art"
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2022
- Valerie Balint, "Yesterday and Tomorrow: Re-framing the Historic Artists’ Homes and Studios Program"
- Joni Kinsey, "Grant Wood’s Studio-Homes: From Hayloft to Mansion, Overalls to Hollywood"
- Olivia Armandroff, "Tiling a Life: Henry Chapman Mercer and His Fonthill Castle"
- Michael Clapper, "Living the Dream: Maxfield Parrish and The Oaks"
- Karen Zukowski, "The Past and Future of Henry Varnum Poor's Crow House"
- Lisa Stone, "Home Based and Life-Specific: Artist-Built Environments"
- Zac Bleicher, "Edgar Miller’s Handmade Homes and Studios of Interwar Chicago"
- Sarah Rovang, "'Thinking on a Wall': Home, Space, and the Creative Practice of Georgia O’Keeffe"
- Daniel Belasco, "The Artist as Builder: Al Held’s Barn Studio, 1965–2005"
- Sean Ulmer, "The Grant Wood Studio: A Space Transformed and Transformational"
- Victoria Munro, "Alice Austen House"
- Helen A. Harrison, "'The Country is Wonderful': Jackson Pollock and Lee Krasner in The Springs"
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2025
- Maya Harakawa, "Benny Andrews and the Problem of Regionalism"
- Erika Schneider, "Inclusive Regionalism: Meta Vaux Warrick Fuller’s Water Boy"
- Carey Rote, "Antonio E. García: South Texas Regionalist"
- Gina Gwen Palacios, "Frontera Regionalism: Art from the Borderlands"
- Liz Kim, "Regionalist Views of Amado M. Peña’s Chicano Movement Posters"
- James Denison, "Beyond Midwestern Realism: Racialized Regionalism in Comparative Perspective"
- David Ehrenpreis, "'Savage Iowa:' Grant Wood’s Vision of Native America"
- Christopher Atkins, "Reimagining Rural America: Grant Wood’s Corn Room"
- Paolo Morales, "Memphis Tulips and Flowering Dogwood: Exploring Racialization of the Photograph through Encounters as an Asian-American"
- Christopher-Rasheem McMillan, "Performing Christian Nationalism in the Midwest: Race, Ritual, and the Other"
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2016
Abstract
Edgar Miller (1899-1993) was a prolific American artist-designer whose work consisted of a wide variety of mediums including painting, sculpture, stained glass, tile, and other craftwork. His practice consisted of both fine and commercial art projects, architectural and built environments, and philosophical writing. Closely associated with the Interwar-era Chicago art and cultural movements, Miller was highly regarded as a leading modernist in many creative fields. He became well-known as an architectural art designer and hands-on artisan, and was highly influential on vernacular “artistic rehab” architecture on the Near North Side of Chicago through the 20th century. His “artistic environment” projects, the Carl Street Studios and the Kogen-Miller Studios, are Victorian homes which were transformed into richly detailed studio apartment buildings for artists starting in the 1920s. Not only did these architectural works influence Miller’s own practice and the trajectory of his professional career, but they also influenced the lives of many other artists and admirers. This lecture highlights major milestones for Edgar Miller leading up to the artistic practices he employed and developed while creating the studios, and to show how these projects affected Miller’s identity and his reputation as an artist throughout the rest of his life, and posthumously.
About the presenter
Zac Bleicher is the founding executive director of Edgar Miller Legacy, a 501c3 nonprofit whose mission is to preserve the work of late 20th century artist-designer Edgar Miller by advancing research of Miller’s accomplishments and providing opportunities to learn from the artist’s bold sense of creativity, work ethic and artistic philosophy. Bleicher oversees the organization’s growing physical archive of Miller’s work and has directly engaged with art and preservation communities in Chicago to raise awareness and ensure the proper care of Miller’s unique architectural projects on the city’s Near North Side, known as Edgar Miller’s Handmade Homes. Bleicher, originally from Dallas, Texas, received a B.A. in 2003 from the University of Pennsylvania, where he studied American History, Art History, and Architecture. He has lived and been active in the Chicago civic community since 2006. He received an MBA from the University of Illinois-Chicago in 2012.