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- Symposia Abstracts and Speaker Bios
- 2018
- Carrie Ida, "On the Line and Community Engagement"
"On the Line and Community Engagement"
"On the Line and Community Engagement"
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Symposia Abstracts and Speaker Bios
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2016
- Erika Doss, "Screwball Regionalism: Grant Wood and Humor During the Great Depression"
- Kerry Dean Carso, "Grant Wood and the After-Life of Victorian Architecture"
- James Swensen, "On Common Ground: Grant Wood and the photography of the Farm Security Administration"
- Annelise K. Madsen, "'Something of color and imagination': Grant Wood, Storytelling, and the Past’s Appeal in Depression-Era America"
- Jason Weems, "Grant Wood's Regionalist Camouflage"
- Sue Taylor, "In Springtime: Myth and Memory in Grant Wood's Last Paintings"
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2018
- Betni Kalk, "Artist-Community Collaborative Murals"
- Carrie Ida, "On the Line and Community Engagement"
- Jane Gilmor, "Within and Without: A Socially Engaged Art Practice Investigates the Invisible Worker, Poverty and Community Building"
- Fereshteh Toosi, "Learning in Public: Socially-Engaged Art and Experimental Education"
- David Bright, "Permission, Ownership, Copyright, and Preservation, and Sale of Public Art"
- Lynn Verschoor and Scott Wallace, "Public Art, Private Funds"
- Mandy Vink, "How Saying No to YES became the Catalyst for Boulder's Public Art Program"
- Jen Krava, "Codified Bodies: Tools to Measure Social Liberation and Inculcate Cultural Change"
- Traci Molloy, "Against My Will: A Multigenerational Collaboration with Sexual Assault Survivors from Alfred University"
- Michael LeClere, "Art as an Avenue to Promote Industry, Manufacturing, and Placemaking Amidst the Decline of America's Bread Basket, Rust Belt, and & Rural Communities"
- Desmond Lewis, "Grit and Grind: Memphis Bred Me"
- Dan Perry and Tom Stancliffe, "Public Art Incubator: Fabricating Community Engagement Through Public Art"
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2022
- Valerie Balint, "Yesterday and Tomorrow: Re-framing the Historic Artists’ Homes and Studios Program"
- Joni Kinsey, "Grant Wood’s Studio-Homes: From Hayloft to Mansion, Overalls to Hollywood"
- Olivia Armandroff, "Tiling a Life: Henry Chapman Mercer and His Fonthill Castle"
- Michael Clapper, "Living the Dream: Maxfield Parrish and The Oaks"
- Karen Zukowski, "The Past and Future of Henry Varnum Poor's Crow House"
- Lisa Stone, "Home Based and Life-Specific: Artist-Built Environments"
- Zac Bleicher, "Edgar Miller’s Handmade Homes and Studios of Interwar Chicago"
- Sarah Rovang, "'Thinking on a Wall': Home, Space, and the Creative Practice of Georgia O’Keeffe"
- Daniel Belasco, "The Artist as Builder: Al Held’s Barn Studio, 1965–2005"
- Sean Ulmer, "The Grant Wood Studio: A Space Transformed and Transformational"
- Victoria Munro, "Alice Austen House"
- Helen A. Harrison, "'The Country is Wonderful': Jackson Pollock and Lee Krasner in The Springs"
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2025
- Maya Harakawa, "Benny Andrews and the Problem of Regionalism"
- Erika Schneider, "Inclusive Regionalism: Meta Vaux Warrick Fuller’s Water Boy"
- Carey Rote, "Antonio E. García: South Texas Regionalist"
- Gina Gwen Palacios, "Frontera Regionalism: Art from the Borderlands"
- Liz Kim, "Regionalist Views of Amado M. Peña’s Chicano Movement Posters"
- James Denison, "Beyond Midwestern Realism: Racialized Regionalism in Comparative Perspective"
- David Ehrenpreis, "'Savage Iowa:' Grant Wood’s Vision of Native America"
- Christopher Atkins, "Reimagining Rural America: Grant Wood’s Corn Room"
- Paolo Morales, "Memphis Tulips and Flowering Dogwood: Exploring Racialization of the Photograph through Encounters as an Asian-American"
- Christopher-Rasheem McMillan, "Performing Christian Nationalism in the Midwest: Race, Ritual, and the Other"
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2016
Abstract
On the Line was part of the University of California, Riverside and the Community of Riverside public programming that included art, performance, and research that explored ecology and the relation of clotheslines with the environment. The project had a unique format for cross disciplinary collaboration that enabled artist and anthropologists to present and generate new work through public engagement at local libraries in Riverside, California. My public raffle concept was intentionally used to promote engagement with the 2015 California statewide legislation of the “Right to Dry” that makes it legal to dry laundry outside. In creating the public raffle concept, I viewed the libraries as an environment of public accessibility within a community structure, while offering a way for UC, Riverside anthropology students to engage in conversations about California ecology and to collect laundry stories. The On the Line and Community Engagement lecture is from an artist’s perspective of how the programming and a curricular integration with socially engaged art played a role in the community building between academic disciplines, the academic and local Riverside community, along with concepts relating to a statewide community and the environment.
About the presenter
Carrie Ida’s projects with interdisciplinary practice investigate cross-discipline approaches and new media. A few of the disciplines she has borrowed from are material culture, curatorial methods, and the social sciences. Carrie Ida draws from several digital sources such as video, web presentation and social media sites. She has published and given research-related presentations with art and anthropological professional organizations. She was a 2015 opinion columnist for Anthropology News with her column entitled Crossing Disciplines: Art and Anthropology. The New Media Caucus (NMC) publishing platforms Media-N Journal and the HUB blog are other sources for her contemporary art writings.
As a participatory element, her public raffle concept was included in the Spring 2016 On the Line program. On the Line is part of the University of California, Riverside and the Community of Riverside programming that includes art, performance, and research to explore ecology and clotheslines. Her Collection Project was included in OUT OF CONTEXT an online exhibition curated by Heit & Haikes with a limited engagement for Philly Tech Week 2017 in Philadelphia, Pennsylvania. Most recently, 10 Yrs. Later, her sound art piece was included in Digital America's online exhibition that is part of Sound Arts Richmond in Richmond, Virginia.